WHIMSY, NOSTALGIA AND SYMBOLISM
Were he in Paris, David Boatwright would be thought a bon vivant, a boulevardier known for his ready smile, his menagerie of hats and a breezy manner.
INDIE GRANTS HELPS FILMMAKERS
It may not sound like much in an era of $200 million mainstream movie budgets, but the generous five-figure production funding awarded to independent filmmakers by the Indie Grants program can make all the difference in the world.
PRESERVING AFRICAN-AMERICAN HISTORY
Some find their passion in life early on, but few can claim to have discovered it at so tender an age as Christina Butler.
AN EXTENDED MUSICAL FAMILY
These days, everyone from a football coach to your stockbroker insists their operation is a “family” affair. But for some, like Mary and Dr. Robert Taylor, the claim is not a cliché.
FINDING YOUR INNER JOY
Dance is a language of physicality, movement, expression. And its eloquence is seldom rivaled.
ARTISTRY, MASTERY AND INVENTION
It is no coincidence that the resurgence of the Charleston Symphony Orchestra (CSO) over the past six years has paralleled the growth of one of its most respected members.
ARIA OF AMBITION
One suspects Mary Gould agreed to present the play Emilie earlier this year because its heroine, a Renaissance woman of substance and wit, mirrored her own versatility and commitment.
A LEGACY IN THE MAKING
America had its fabled Algonquin Round Table of literary leading lights, England its renowned Bloomsbury Group. Now Charleston seeks a new legacy of its own.
IT’S HOME COURT FOR THURMOND
For Paul R. Thurmond it is not a matter of having new worlds to conquer.
CELEBRATING “THE HALL”
So much has been written and said about the grand (bordering on grandiose) new Gaillard Center that some may overlook that day-to-day centerpiece of the local music scene: the Charleston Music Hall.